Free Ebook , by Laila Lalami
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, by Laila Lalami
Free Ebook , by Laila Lalami
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Product details
File Size: 538 KB
Print Length: 307 pages
Page Numbers Source ISBN: 1526606690
Publisher: Bloomsbury Publishing; 1 edition (March 26, 2019)
Publication Date: March 26, 2019
Language: English
ASIN: B07K8RTP5J
Text-to-Speech:
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Amazon Best Sellers Rank:
#267,186 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I bought this book because I (mis)heard the author's name on the radio and assumed this was a book by Laila Halaby, whose "Once in a Promised Land" I much admired. However, having read this novel, I'm very glad of my mistake. It is a fine piece of work, and adds to the store of novels which help define what it is to be American in this century.
I bought this book because the TODAY show featured it with a Moroccan brunch claiming the recipes would be available. There are no recipes and I never would have bought this book had I seen through their trickery.
My perspective on reading this book is to forgo guessing what is going to happen, or trying to determine how accurate your suspicions. Just dive in and let it gently steal through you. There’s a Who and Why regarding a hit-and-run that resulted in death, which is the ballast of the plot, at least in a pressing sense. The other characters are immediate family or characters connected to the family or incident in some way. “What a fragile thing a heart was. So easy to fool. To break. To stop on impact in a darkened intersection.â€Moroccan-born Driss Guerraoui, a husband, father, and grandfather, is a diner owner in a small Mojave desert community. He’s also the victim of the hit-and-run, while walking to his car from work one evening. His two adult daughters and wife, Maryam, grieve in separate ways, often rupturing old wounds and inciting new ones. An undocumented worker, EfraÃn, witnessed the incident but is afraid to come forward.The primary protagonist, however, is Nora, Driss’ youngest (and favorite) daughter and the non-conformist of the two. She’s a jazz pianist and performer with more rejection notices than work; her mother pointedly and wearily saying “She has her head in the clouds,†a tired refrain to her daughter. Nora refuses to settle for a pragmatic, secure job, like her sister, the dentist. It was only her father that understood this, which makes his death even harder to bear.Returning to the Mojave for the funeral, feeling unmoored and paralyzed by her father’s death, Nora stays longer and begins a romance with a past schoolmate, Jeremy, an Iraqi war veteran-turned-cop, also a central character. They are very different people with allied needs, but Nora has difficulty trusting due to past struggles. The story highlights several ugly stereotypes without condescending to the reader. Driss, for example, is highly educated and an atheist, but is often referred to by others as “the Muslim.†Nora has been stymied and bullied by others since childhood, and finds solace in her music.Told in first-person POV, the various characters alternate with their own or overlapping stories. The theme is home, identity, and loss, and the title suggests the outliers, the outsiders, the “other†Americans. But a sharp pivot shattered me, also, that turns the title inside out and upside down—and that is all I will say. I read this in two days; the pages turn easily and the prose is strong and vivid. Lalami is superb at providing the fine points of a scene, the flourish of details that happen simultaneously, like the sound of keys jingling or a cat turning its head, all the while bolstering the scene at hand. It all hits hard and deep by the end. I'm in awe of her sympathy for all characters.
This book was fine. It didn't live up to the praise I had read, but it was still a good, solid book. It is the story of a hit and run against a Moroccan-American man and his daughter trying to come to grips with his death, her relationship to her mother, sister and the town she grew up in. It is written in the first person with each chapter a different POV. The POVs vary, Nora (one of the victim's daughter) and Jeremy (a high school friend and love interest) are the main characters with the most POV chapters. Other chapters include POVs from the victim, Driss (flashbacks obviously), Maryam (Nora's Mom), Efraim (an undocumented immigrant who witnesses the hit and run), Anderson (the owner of the neighboring bowling alley) and Coleman (the detective working the case). There are a couple of one of POVs from Anderson's son AJ and Nora's sister Salma. The POVs jump around between the past and present day to flesh out the characters and develop the relationships, giving us insights into what made them the characters we see in the present day.The technique of varying POVs can be interesting in that you can see the same event from several angles, but it's not my favorite form of storytelling, which could be why the book left me a little cold. It just seems like a lazy way to write, honestly. (That's totally my personal opinion. YMMV, of course.) It really took me awhile to get into this book, and I think the POV structure was part of it. In this particular book, I thought it jumped around too much and would throw in people just once (Nora's sister) and I wish we had seen more of them. The reader just gets a snippet of "Oh I guess her life is not peaches and cream after all" (which is how it appeared to Nora). But, like, it wasn't surprising that the sister's life wasn't picture perfect. Throwing in the POV helped flesh it out more, but then we don't hear from here again and we are left hanging. Similarly with Efrain, we see him a lot in the beginning and his struggles in not wanting to go to the police as a witness (as he is undocumented). We don't really learn much about him but when he finally does go to the police, we never hear from him again. I thought the author did a decent job of creating interesting characters and making me interested in them, but the plot was pretty predictable (granted I did not guess who the driver was correctly the first time). The love story was pretty standard. The murder mystery okay. It's basically "girl goes back to home town and finds herself" with a love interest from back in high school. For a second I thought this book was actually different in that it seemed like it was going to end leaving several loose threads (the hit and run "solved" but unsatisfactorily), the romance done, and the main character returning back to her life from before her father's death. But then it turns pretty predictable in, like, the last two chapters.There is an undercurrent (and sometimes, just plain current) of political commentary through the book on the Iraq War (bad), racism in small town America (definitely exists), and the difficulty of PTSD on returning vets. I liked these parts of the book more than the actual plot, honestly. Lalaimi is a very good writer. Her prose is descriptive, her characters well drawn, if not particularly original, "the rebel artistic child disappointing her Mom, but is she really disappointing her mom or is it just a failure to communicate?" type deal.Overall, I liked it. It was good, not great. A solid book.
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